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December 2008
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Fukuoka High Court: Sensitivity Required in ¡ÈReal Name¡É Reporting
In a new development, a presiding judge at the Fukuoka High Court on Oct. 28 appended a strong advisory to the media as part of a court decision. The advisory supplemented the court¡Çs rejection of an appeal by a junior high school teacher who had unsuccessfully sought compensation for damages due to the publication of his name in reports of his arrest in an alleged molestation case that was later dropped by prosecutors.
The appellant teacher had been continuing his action against the respondent defendants in a libel suit he had filed against NHK and three commercial broadcasting companies in Okinawa Prefecture.
The male teacher, aged in his 30s, had been working at a public junior high school in Okinawa Prefecture. He was arrested in March 2007 for allegedly molesting a girl. The prosecutors eventually dropped the case, saying in November of this year that they were exercising leniency in suspending their planned indictment of the teacher.
At the time of the teacher¡Çs arrest, all four broadcasters prominently reported the case and publicized his name.
Presiding Judge Yoshinori Kawabe of the Fukuoka High Court in his Oct. 28 ruling upheld the lower court¡Çs dismissal of the teacher¡Çs demand for compensation, reaffirming that the public interest had been served by disclosing the name of the suspect at the time of his arrest.
¡ÈWhen it comes to facts pertaining to the public interest, it is fitting for the media to reveal the suspect¡Çs name in order to ensure accuracy and objectivity in news reporting,¡É the High Court judge said.
However, going beyond the issue of the appeal, the judge warned: ¡ÈWith the advent of real-name reporting, the media needs to be sensitive to the disadvantages that the accused can suffer.¡É In particular, the judge singled out a remark made by a male announcer at one of the four broadcasters, who had said, ¡ÈFor pity¡Çs sake! Of all men, this teacher did this!¡É The judge cited those words as lacking the necessary consideration for the accused.
Going yet further, in an unusual attachment to the ruling, the judge noted that all of the media had reported the teacher¡Çs arrest, but complained that they did not subsequently report the fact that he had not ultimately been indicted. In a rejection of the broadcasters¡Ç argument that the dropping of the case had not been ¡Ènot newsworthy,¡É the judge insisted that, ¡Èthe media¡Çs attitude in this matter must be thoroughly re-examined.¡É
Presiding Judge Kawabe distributed his attached comment in writing to each media organization on the same day as he released his decision on the teacher¡Çs appeal, strongly implying that any media reports of his appeal decision should incorporate a clear reference to the prosecutors¡Ç decision not to indict the teacher for any offense.
2 Major Commercial Broadcasters Post Net Losses for 1st Half
Japan¡Çs five main commercial broadcasting networks on Nov. 11 announced their financial results for the first six months (April ? September) of fiscal 2008.
Reflecting the global financial crisis and the resulting economic setback in Japan, all five networks registered a year-on-year decline in spot advertising sales, with the drop ranging from 9.6 to 11.7 percent.
Fuji Media Holdings, Inc. (formerly Fuji Television Network, Inc.), Tokyo Broadcasting System Inc. (TBS), Nippon Television Network Corp. (NTV), TV Asahi Corp. and TV Tokyo Corp. all attempted to respond to the economic challenge.
In terms of net sales, all of the corporations except NTV managed to report a year-on-year gain as revenues from non-broadcasting operations made up for the decline in revenues from broadcasting.
NTV and TV Tokyo ended up posting net losses when their decline in revenue from broadcasting was combined with appraisal losses in securities. Both wrote down as ¡Æextraordinary¡Ç their losses due to the drop in stock prices.
TBS reported a 6.9 percent year-on-year drop in revenue from TV broadcasting. However, revenue from its visual content business and cultural projects surged 81.0 percent year-on-year, due largely to \7.7 billion in income from movie box-office proceeds. Revenue from its real estate division quadrupled year-on-year to \9.1 billion.
NTV posted a 3.8 percent drop in revenue from broadcasting, but revenues from its non-broadcasting activity, including its movie business and mail order sales, surged 24.1 percent. The company still registered a half-yearly net loss, its first since the six-months from October 1971 through March 1972.
Fuji MHD, which changed its corporate status from a broadcast business company to a certified broadcast holding company on Oct. 1, posted a 4.2 percent drop in revenue from television broadcasting. Revenue from its radio broadcasting division (Nippon Broadcasting System, Inc.) also fell, dropping 6.5 percent. However, the corporation cut program production costs by 9.7 percent (\5.8 billion), while also cutting back on promotional, advertising, outsourcing and other expenses. Fuji MHD registered a 33.7 percent gain in operating profit in its broadcasting operations. Net income, however, still declined 45.9 percent to ?5.6 billion, in a result linked to its extraordinary gains through sales of investment securities recorded in the same period of the previous fiscal year.
TV Asahi reported a 1.4 percent drop in revenue from television broadcasting, but revenue from its music publication business rose 37.8 percent. As with its revenue from music publication, revenue from ¡Èother¡É businesses also posted a year-on-year gain in terms of both revenue and recurring profit. A TV Asahi official said the corporation plans to concentrate on cutting expenses, while pursuing wide-ranging business tie-ups with the Asahi Shimbun and outside partners.
TV Tokyo reported a 1.9 percent drop in broadcasting revenue. But revenues from its visual content business and sales of animation DVDs continued to rise solidly. Income from copyright royalties soared 21.6 percent and revenue from events rose 23.1 percent.
|
Net Sales |
Recurring Profit |
Net Income
(Loss) |
| Fuji MHD |
2,819 |
¡Ê0.0¡Ë |
154 |
(72.4) |
56 |
(¢¥45.9) |
| TBS |
1,784 |
¡Ê12.3¡Ë |
113 |
(¢¥9.0) |
46 |
(¢¥32.3) |
| NTV |
1,649 |
¡Ê¢¥0.3¡Ë |
32 |
(¢¥74.0) |
¢¥12 |
(--) |
| TV Asahi |
1,251 |
¡Ê0.4¡Ë |
39 |
(¢¥25.6) |
13 |
(¢¥50.1) |
| TV Tokyo |
597 |
¡Ê0.9¡Ë |
2 |
(¢¥85.8) |
¢¥3 |
(--) |
Notes:
¢¨¡¡Unit: 100 million yen
¢¨¢¨¡¡¢¥: decrease
¢¨¢¨¢¨¡¡Figures in parentheses are changes in percentage from the same period of the previous year.
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Topics.......Topics.......Topics........
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Photographers Hunting Reflections of Stock Market Rollercoaster
Prices on the Tokyo Stock Exchange continue to experience violent ups and downs, influenced by the global financial crisis that originated in the U.S.
Press photographers have responded by rushing out to capture images of the times, shuttling among the Tokyo Stock Exchanges, securities firms and foreign exchange dealers in Kabuto-cho, Yaesu, Marunouchi, Higashi-Shinbashi and other districts in Tokyo.
¡ÈWe send out at least one photographer to take a picture of an electronic board at a securities company showing the 225-issue Nikkei Stock Average, almost every day,¡É said a newspaper editor.
In the early morning of Oct. 29, a crowd of photographers gathered in front of the Yaesu branch of a major securities company. The day before, the Nikkei Stock Average had briefly dipped below the 7,000-line for the first time since October 1982.
As trading began at 9 a.m. at the Tokyo Stock Exchange, the latest stock prices worldwide flashed by on a digital stock quote board outside the brokerage. While the press photographers took photos of the board for the evening newspapers, bystanders used their mobile phones to get snapshots of the scene.
Press photographers have also been capturing images at Tokyo¡Çs foreign exchange dealers as the yen continues to strengthen against the U.S. dollar and other currencies.
One news agency photographer said, ¡ÈEver since the global financial crisis hit the headlines, I¡Çve been covering this topic almost every day, visiting the TSE and brokerages in Tokyo¡Çs Marunouchi district.¡É According to the photographer, his biggest headache is the limited space for shooting and the need to come back with a different image every day. A photographer from another news agency said he has been struggling to present different visual context for his images of the same subject every day. He said he sometimes uses a fish-eye lens to take a wide picture of the stock quotation board. Another photographer complained, ¡ÈFor days, I¡Çve been getting this same assignment. And this could go on for some time to come.¡É

Press photographers capture images of passers-by worriedly looking at the stock board at a Tokyo securities company branch.
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Story of the Month>>>
Horizontally Flowing Layout a New Trend in Japanese Newspapers
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Horizontally flowing text and columns are a growing trend in Japanese newspaper layout.
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The columns in the pages of Japanese newspapers have commonly been vertically aligned with the text characters flowing in lines running from top to bottom. That same layout style has traditionally also been used in magazines and books written in Japanese.
But since the start of this year, a number of newspapers have started using horizontally arranged columns with text flowing horizontally in some or even all of their pages, more resembling the layout used for European languages.
Starting in October, the Asahi Shimbun began including a bi-weekly four-page section titled ¡ÈGLOBE¡É, featuring the horizontal layout style. The section is to grow to eight pages in January.
The Nihon Keizai Shimbun (Nikkei) began publishing a new weekly finance and investment newspaper titled Nikkei Veritas in March. The tabloid-size publication uses the horizontal style for all of its pages. The daily business newspaper ¡ÈFuji-Sankei Business i,¡É launched in October, also uses the same layout.
The publishers and editors of these publications say that their readers¡Ç exposure to horizontal layouts on Web sites is the main reason for their adoption of the horizontal style in their newspapers. They say the style makes it easier to display numerical characters, the Japanese ¡Èkatakana¡É characters used to represent foreign loan words, and the mainly English-language Uniform Resource Locators (URLs) used to reference Web information. They also say the flexibility of the layout better meets the requirements of data-heavy articles and the space specifications of printed pages.
Finance and investment newspapers typically feature numerical tables and ¡Èkatakana¡É characters as seen in the pages of Nikkei Veritas. As a weekly publication, Veritas is supplemented by the near real time Web-based display of market developments, in texts that are horizontally arranged. It made sense to the editors for their printed layout to remain consistent with the horizontal style used on the Web, said a Nikkei spokesman.
Kenji Yoshida, the editor of Sankei¡Çs Business i, said horizontal layout is a trend of the times, directly influenced by the Web. The Sankei Shimbun adopted the horizontal format for a daily tabloid-size newspaper that it launched two years ago targeted at mostly younger readers. ¡ÈThe horizontal layout fits just right for tabloid-size newspapers,¡É Yoshida said.
Mamiko Takahashi, a deputy editor of the GLOBE section in the broadsheet daily Asahi Shimbun, similarly acknowledged that her target readership is the reason for the move. ¡ÈOur target readers are businessmen, aged in their 30s and 40s, who are used to reading horizontally flowed texts in Japanese,¡É she said.
The publications using the new layout are getting favorable feedback about the horizontal design. A Nikkei spokesman said the reaction from subscribers to Nikkei Veritas is generally positive, confirming that the new format is well received by younger readers in particular. According to the Asahi¡Çs Takahashi, virtually all feedback from the target readership of the GLOBE section has favored the horizontal layout format as easier-to-read.
Both the GLOBE section of the Asahi Shimbun and Nikkei Veritas are either consulting or drawing advice from leading designers specializing in magazine layout. Veritas is focusing on maintaining design cohesiveness in laying out its articles. The Asahi¡Çs GLOBE section has been known for its bold design since its launch. For instance, the font size it uses for main articles is generally different from that used for sidebars, and the main articles feature frequent subheads. ¡ÈWe are in the trial-and-error stage of making this section much easier to read,¡É Takahashi said.
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Nihon Shinbun Kyokai
The Japan Newspaper Publishers & Editors Association
Nippon Press Center Bldg., 2-2-1 Uchisaiwai-cho, Chiyoda-ku,
Tokyo100-8543, Japan
bulletin@pressnet.or.jp
Copyright 2008 Nihon Shinbun Kyokai
All right reserved
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